HOUSE HEADS: VALENTINE’S DAY@ 33 LOUNGE (Febr 19, 2008)

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33 Restaurant & Lounge

The lounge at 33 Restaurant & Lounge on Stanhope Street in the Back Bay may just have Boston’s tiniest dance floor. The upstairs restaurant isn’t much bigger. So it’s no surprise to find both rooms filled — with a waiting line outside — for the venue’s weekly Thursday House Music night. But this is an even more special occasion: the 33 Lounge’s Valentine’s Day party, and there are at least 133 partygoers in the house, true house heads including several familiar faces from Rise Club late-nights. They’re shapely, their faces shine, and most are gorgeously dressed — some of the men wear suits and ties, no less, and the gals have brought out their spikiest heels and slinkiest black dresses.

The music, too, is slinky, spiky, suited, and black. DJs Evan, Sean Donnelly, and — doing the close-out set — Strict keep the tempo strutting, on tiptoes. The DJ booth at 33 Lounge is in the adjacent wine cellar, of all places, and as the dark red wine pours on and on, from the cellar to the bar, the music pumps up and into all of us.

Strict, who spins regularly at 33’s Thursday nights, is from Saugus — yet another suburban kid who, as he puts it, “at age 11 started listening to house, and then, when older, going into the city to buy the beats and hear the sounds” — and who now has committed himself to the spinning life. “I especially love the closing set. You can let yourself go, no holds barred!”

And so it goes. People are hanging at the bar, dancing in the aisles and underneath the stairs. Everyone is taking digital snapshots — scenester Maria D included. Maria is everywhere, greeting guests. Most come to 33 Thursdays via her guest list. Her co-host, Sam Sokol, is there too, attended by well-wishers. He looks as happy as a parent watching his child graduate from high school — except that, unlike a parent, he gets to do it all again next Thursday. As the old-school hip-hop saying goes, “You don’t stop!”

— Michael Freedberg / Boston Phoenix

***1/2 CLUB 69 : STYLE (Twisted) (November 13, 1997)

There’s enough top-heavy diva attitude in this, the second Club 69 release from Austrian disco auteur Peter Rauhofer, to give any wig a good hair day. Standard stuff it is, but with Miss Thang monologues like “Style,” “I Look Good,” and “My Orchard” puckering all over the place with charm and egotism, who’s complaining? “Twisted,” “Much Better,” and “Muscles” reach, smartly, back to that lascivious ferocity that spawned the diva experience in the first place. As for divas today, the flash and boom of “Drama” and “Alright” goes for the big kiss on leap-of-faith hard-house breaks.

 — Michael Freedberg / Boston Phoenix

— Michael Freedberg

*** Club 69 : FUTURE MIX : THE COLLECTED REMIXES OF PETER RAUHOFER (Twisted)

Fans of Peter Rauhofer’s Club 69 dance jams will have to own this 25-track set of his non-Club 69 remix work. From Funky Green Dogs’ “The Way,” “Fired Up!”, and “Until the Day” to Fire Island featuring Loleatta Holloway’s “Shout to the Top,” as well as Hans’s oft-compiled “Meet Her at the Love Parade” and Sizequeen’s “Walk,” Rauhofer puts his showy, diva-centered style of fireworks into play over and over again without ever sounding dull. He knows better than to veer too far from the riff-and-chant basics that agitate the ecstasy in house music. But he sweetens his sound with synthesized drop-ins, and he fattens his singers’ vocals with lots of echo. The sugar drama keeps pouting and pumping, even in the non-hits like Movin’ Melodies’ “Rollerblade” and Crystal Method’s “Comin’ Back” — and in his remix of “Der Kommissar,” a loving salute to fellow Austrian Falco’s debut hit.

 —- Michael Freedberg / Boston Phoenix